Subplots Add Character: Here’s How

Now that I know I need subplots in my story, where do I start?

I like to start by linking back to what I know already. You’ve read some of my posts on characterization—Backstory: Past Events Build Character + Subplots and Why We Need Them + Tracking Subplots and Why We Go So Far

Simple answer to incorporate a subplot, add a character with their own goals, and needs into the story. Let them interfere with the main character (eventually) causing complications that must be dealt with before the story can continue. I’m not referring to the antag. No, these characters are the protag’s friends, workmates, family, and worse yet—a friend of a friend of theirs. The goal is to bring as much real life into the plot as is reasonable.

Who lives their lives with only one thing going on? I have to deal with family, work, pets, my car, etc and still try to meet commitments. It is these little irritations that can be shared over coffee, making friends laugh or cry with you.

But remember adding a subplot is not about word count, it must have a purpose. Before writing a word, make sure the subplot pushes the story forward, interrelates, and adds tension to the overall plot. Subplot must make the story stronger.

Adding subplots through additional characters

The Past
One of the most common subplots is introducing the main character at a previous time of their life. This can be presented as a parallel story of how the MC faced a similar event or antagonist and failed, or it can fill in back story that clarifies motivation.

Branching Out
Another still involving the main character is, s/he is trying to do more than one thing at a time: like job hunting, getting ready to move, and visiting a loved one in the hospital. The main character is living up to others expectations, while also trying to meet their personal goals. This is where branching out to other supporting cast members can be introduced.

Parallel Roads
Another type of subplot is presented side by side (as above) but the characters involved art pixabay CC0 tigerdo not converge at the climax. One character still interferes with the other but from a distance, or unknowingly started a domino effect that complicates the main plot. If the plots do converge, it can be often or not with varying degrees of interference. When I think of this I think affair. Two wo/men never meet but both lives are affected by the others.

Bumping and Banging
Some subplots are almost as big as the main plot when you track the antag and protag slowly bumping into each other (like in a thriller) which inevitably leads to the climax of good against evil in a huge blow out. Chapter by chapter each player moves towards/away from the other attempting to meet their goals.

Merger
There are also parallel stories that eventually merge into the main plot and as a group of face the climax.

Theme Related (or The Story Line Continues)
Joy commented on my first blog about subplots. She brought up a very good point. Some characters have such a strong story line that they inspire a book of their own. In a romance series, it is very common to branch out from a group of characters, creating two new lovers and a new romance. In a mystery series, it’s the supporting cast that helps solve crime, or interferes with it, that become as important as the main character.

Just Passing Through
Occasionally there are guest characters that pop in and out of the story, adding a humanizing touch. Every character has a life s/he lives elsewhere; family and friends they love. Some of these characters come in at the beginning only to return at the resolution. Thinks of a purse snatcher that gets away, then much later the MC see them arrested as she rakes her lawn, adding a nice touch of satisfaction.

The Magnet
And finally, the character that brings two worlds together like the wealthy volunteer that helps at a free clinic, or a doctor that goes to a third-world country, or an adopted child brought in to a stable home after living on the street. Sometimes these characters are holders of secrets, of insights, of chaos and bring a new flavor.

I’m sure if we look around our everyday lives we’ll notice more characters we could incorporate. Have I missed anyone? Please share in the comments.

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15 responses to “Subplots Add Character: Here’s How

  1. I don’t think you forgot anything. I like how you focused your post on HOW to create a subplot and not on simply just having one, like so many others do.

  2. Great post. I love weaving subplots into my novels as much as I love novels that have great subplots.

  3. I love this post and sadly is also proves to me once again that I could never be a writer. I would seriously fail so I leave all the writing genius to those that know what they are doing. 😉

  4. I love it when a secondary character or antagonist complicates the story. I think that’s the key to a really great subplot.

    Unleashing the Dreamworld

  5. Great summation. I have to say, I hate the parallel plots when they don’t merge quickly enough. It’s like I’m reading two books at once.

  6. the past route is so easy to fall into. That’s the one I use most, but I wish I used other subplot devices.

  7. Pingback: Subplots and Why We Need Them | elements of emaginette

  8. Pingback: Tracking Subplots + Why Go That Far? | elements of emaginette

  9. Pingback: Author Toolbox #1: Plotting, Sub-Plotting, and Series Threads | elements of emaginette

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