This post was written for the Author Toolbox Blog Hop where we share our new discoveries on the craft of writing, editing, querying, marketing, publishing, and blogging tips. Posted every third Wednesday of the month. For rules and sign-up click here.
I call the writer that uses both plotting and pantsing a framer. I’m one of these people and it has made my writing life much better. It’s given me a chance to discover the layers of my story.
I’ve already mentioned I outline (synopsis) the overall story. My thinking is simply: if I can tell the story in a coherent manner, I can sell it. Or that’s the theory. I make sure the tension rises, the plot holes are filled and all the little threads are tied up in a nice bow before I begin pantsing. The threads I leave hanging are because I like to imagine my characters carrying on. As if I popped in for an exciting part of their lives and popped out again. Who knows, maybe I’ll return at a later date.
I break the outline into doable sections with specific directions of what needs to happen.
I let loose. The creative juices flow. They know what direction I’m going and how fast I have to get there. No doubt many of us do this part. hehehe.
It’s why we’re here, reading and learning new techniques.
During all of this I think about the layers of the story because to me there are a minimum of two. The one on top is the one the reader enjoys until they realize more is going on than just surface stuff.
I give every character an agenda. Their own goal and what they are willing to do to achieve it.
Where I start
I give several characters an overlapping background that I don’t give away so much as let them react to. For example, as kids someone’s parent ran over another’s cat and someone is not letting the memory go. Another possibility is someone was a no-show at the prom, leaving their date to go alone. When they meet again, it’s time for a confrontation.
The layers of the story is where the character connect/disconnect with each other. I like to write mysteries, so each one of my characters has motive to kill the victim. Each one of them has a reason to kill another cast member. Each one of them had opportunity and the means to kill the victim or each other.
I write the underlayer before I let my creative writing loose. Then once I’ve written a few more chapters, I adapt my underlayer again and again. Until it guides me through the worse/best of them. Motivations become clear when each character has an agenda, feelings that drive them down only one road—it may be interrupted, but is never forgotten, and then I try to write the story I first outlined.
The surface may appear smooth. But like a duck, much of the action hides below the surface, churning up all kinds of fun and trouble.
Have you done this? Any tips for me?
Other links you may like: